In our country Eelam there are so many holy temples and Theerththa Thuraikal which are of ancient speciality to help the devotees to get rid of their former sins.\n<\/p>
\nFor example in our country in the North Keerimalai and Nagulessar temples, in the East Kaneshar temple, in the South Manikka Gangai and Kathiraivetpu, in the West Palavi Theerthtam and Ketheeswaranathar Koil and Mayavan Aaru and Munnianathar temple all the 5 Gods are natural gifts to our country from ancient time and can proudly say that they are the Fife Padaiveedukal (Aaimpadaiveedukal) that protects Eelam all ways.\n<\/p>
\nKumarikkandam has been the ancient Thollulagam as Tamil says in course of time came out of scene owing to the flow of seas. A part of that Kumarikkandam is our Eelam and Eelam as we say. Though as well are our Eelam has been protected by in the form of a small island by God. This island remained safe may be due to existence of several specially the 5 holy temples. Theeththa etc. Thus with all these religious features Maviddapuram Kandasamy Koil, existed in Keerimalai with the special Theerththa importance.\n<\/p>
\nStarting from Jaffna town, on the way to Kankesanthurai thus famous Maviddapuram Kandasamy Koil is at 10th stone distance. Its boundaries are Kandesanthurai, Mayiliddy village Sabas etc. All sorts of conveyance were found there specially carts and vehicles on railways. Near are important spots as Palaly airport in the east direction and in the North Keerimalai Nanneeruttu.\n<\/p>
\nIn Eelam two types of Murukan temples exists one type referred in Sivakama Sitpa Nool other type in the form of Inns. \n<\/p>
\nTemples at Maviddapuram, Kanthavanakadavai, Inuvil, Neerveli, Anurathapuram are built in the Sivakama Sitppa method.\n<\/p>
\nKathirkamam Mandoor, Verukal, Selvasasannathy and Nallur are temples of Madalaya category. Among these Maviddapuram temple is of great importance Sittpa Nool construction style.\n<\/p>
\nAccording to history there is a story behind the history of this temple in the 9th AC there lived in Chola Nadu one Valavan named Maruthapuraveaka Valli. Her was human but face like that of a horse.\n<\/p>
\nAccording to the advice of a hermit named Santhalingan thus Marutha Puraveekavalli came all the way from Chola Nadu to our Keerimalai. She got Upathesam from Nagula Munivar (Hermit) she daily bathed in the max water (Uvar + Nanneer) with piety and due to this as a blessing her horse face changed into normal human face. It was really wonderful and she place she stayed and bathed was named \u201cKumarathty Pallam\u201d. This spot remains today opposite to the east of Kankesanthurai cement factory in the name of Kumara Kayilady alias Kumaraththy Pallam.\n<\/p>
\nDaily after her bath she worshipped the temple which is in the name of Kathira Aandavar Koil. It was at the spot named Koil Kadavai at present known as \u201cValavudai\u201d up the side of which there is a Keani in ruined stage in the west, 200 yards apart from today\u2019s temple is found Kathirayandavan temple.\n<\/p>
\nBecause of the incident of Maruthapuravealea Valli\u2019s horse face changing to normal the former name Koil Kadavai, then changed into \u201cMaviddapurama\u201d Ma-mean horse \u2013 Vidda \u2013 removed Puram place. This gets the meaning as the spot where the hose face changed into human. Also it is said that along with here came her commander named \u201cMahaviddan\u201d who was in changed of the temple administration and this was also considered a solid reason to the name \u201cMaviddapuram\u201d one a Muthuthambupillai, a Jaffna, History teacher and author of the book \u201cNavalar Koddam\u201d says and supports the above events and the reasons for the name as \u201cMaviddapuram\u201d.\n<\/p>
\nIt is also said that after the great victory of Soorasankaram Murukaperuman on the his way to Kathiramalai visited Maviddapuram and stayed there for a short period; and so this place is holy and of great importance according to this \u201cMa\u201d means Sooran who stood in the form of a Mango tree (Mamaram) Vidda meaning he changed his position as a tree there \u201cPuram\u201d means place. Those who accepts this take in to consideration that \u201cMamaram\u201d Mango tree is the Thalavidchcham of this place.\n<\/p>
\nIt is also said that as a gratitude for doing good to herself (by changing the horse face) Marutha Puraveeka Valli built this Kathirai Andavan temple and contributed wealth and other properties to the temples. Thillaitheedchithar was appointed to conduct the Pooja rites hereby Chola Valavan. All what need for the renewal and festival of Kantha Peruman who was also known as Kankesaperuman came to the particular harbour and it was named a \u201cKankesanthurai\u201d in course of final.\n<\/p>
\nAt this time one prince name Ukkirasingan Married Maruthapuraveeka Valli and changed his residence to Singhai Nagar and in course of time this name was changed into \u201cKanthar Oodai\u201d with the interior meaning as Kanthar \u2013 Kandaswamyar and Oodai \u2013 as \u201cKulaveli \u2013\u201d\n<\/p>
\nNow we find a Theerththa spotnear the sea, is the water spot where Nagulemuni and Marathapuraveakavalli bathed and was blessed, the name of which is \u201cAnthar Vavi\u201d alias \u201cKandaki Theerththam\u201d.\n<\/p>
\nGod in order to bless and protect the souls, take a lot of forms out of which \u201cTheerththam\u201d is one. Owing to this God Shivan is named and praised as \u201cTheerththam\u201d. This form of Sivan is to blesse souls. Those who bathe at Keerimalai with sincere piety will be definitely blessed by God. This is cleared from Maruthapura Veekavalli\u2019s horse face changing to human face, to quote the example \u201cAarththa Pirvavithuyar Keda\u201d bathed in the holy water spot and got back water spot and her human face etc.\n<\/p>
\nWhen the Perunkoil was built by her, was flourishing, the Portuguese conquered Eelam destroyed so many Hindu temple and one among them was the famous \u201cMavaddapuram temple\u201d At that instant, the one who protected the properties and holy stature of the temple was one Shivashree Balasubramaniya Kurukkal who was in charge of the Hindu Templers at that time.\n<\/p>
\nAfter Portuguese, Ollanthar ruled Eelam and at the end of their region, in 1782 one Shivashree Sababathy Ayar, brought Maviddapuram to the back cherishing condition and as the result the normal Poojas and festivals were conducted the usual form and order this temple flourished, from time to time by the sincere services of the Hindu Devotees and well-wishers.\n<\/p>
\nAnd today this particular temple is flourishing in its maximum with Karuvarai, Arththa Mandapam, Maha Mandapam, Thampa Mandapam, Niruththa Mandapam, Vasantha Mandapam, Thaddi Mandapam, Villu Mandapam, Veddai Mandapam, Yagasalai, Pakasalai, Kalanchiyam etc. Most of the area from Karuvarai was built with Karankal.\n<\/p>
\nThis was finished building in the year 1927 and in June on the same year at Swathy Natchathiram the Thirumanchanam took place on a grand scale. At the Karuvarai Lord Murugan\u2019s holy statue appears on the pretty peacock with Deviyar Valli and Thevayanai this appears to be full of Arul, also other idols of Vinayakar, Nadesar, Chandrasekarar, Arumagaswamy, Muthu Cumarasamy, Subramaniar, Chanthanakopaalar, Mahaluxmi, Vairarvar, Thandayuthapaani, Navakirakankal and Sandeswarar are found there, the statue of Nadesar with Sivakami Ambal found here were brought from Chithamparam.\n<\/p>
\nOn the west side of this temple, there is a smart, high Rajagopuram with many forms which narrates the history of the temple and this Kopuram is of great pride not only for the place concerned but also to the whole of Eelam. The one who met the buildings experiences of this Rajagopuram was none but one Arul Thiru Nagalingha Thesikar alias Rangoon Pandaram. To maintaine this there is an Arakkaddalai ie. The Nagalinghashwara Madalaya Paripalana Arakkaddalai.\n<\/p>
\nHere daily Poojas 6 in number are specially conducted daily special Pooja with Thiru Manchana Neeraddu to Muththukkumara Swamy on every Fridays in the moring and evening, monthly at Karththikai Nadchaththiram April 1st and on the 1st day January Sankiranthy. On these days, the procession of Muthucumara Swamy takes place in the inner Veethy of the temple.\n<\/p>
\nSPECIAL FESTIVALS <\/strong>\n<\/p> \nThe festival of this temple, starts on the Poorvapakka Sashdi Thithy in the month of June at Uththara Natchaththiram. On this day the temple flag hoisting celebration takes place with on July Amavaasai Theerththosavam and Car Festival on the previous day of Car Festival. This yearly festival takes place for 25 days continuously. The Arumuga Swamy dance festival, Karththikai Festival.\n<\/p> \nVeeddai festival, Paddukudai festival and Sappara Thiruvila are considered to be the best and special festivals Utsavakala Arumuga festival was started by Naddukoddai Nakaraththavar. This Nadana festival takes place and the 5th day of the festival. To meet the expenses a Kiddanky was setup at Kankesanthurai.\n<\/p> \nEven today the lamp in the shape of a chariot (Thaer) is brightening the entire temple.\n<\/p> \nThe Pancha Moorththikal of the Charriot or Car festival and Gnanapathy, Subramaniar Santhira Sekarar, Aarumugar and Sandesurar on the Car festival day when the procession is over, in the evening the Pancha Moorthikal come back to the Moolasthanam with Vetha Manthiram, Thiru Murai Oosai, Nathaswaraganam and Thirupukal song stating.\n<\/p> \n\u201cThiththirukkum Thiru Amuth Kanden\u201d\n<\/p> \nAppar Peruman sang the Thevara Lines as follows:- \u201cKanden Avar Thirupatham Kandu Ariyathana Kanden\u201d when Sivaperuman showed to Appar, the Thirukkailayil Kaddchi at Thiruvaiyaru on the new Moon day of the month of July. On this same day, \u201cKorum Adiyarkal Vinai Theerkkum Maavaikanthan\u2019s Theerththatsovam too takes place.\n<\/p> \nBesides all these on the auspicious day of Thaipoosam the procession of Arumugaswamy on chariot around the temple and the procession of Nadesaperuman on the previous day of Aaruthra Tharisana day it\u2019s December takes place yearly in this temple.\n<\/p> \nYearly Kanthapurana Padena recital starts in the month of October and comes to an end on the 2nd day of the temple festivals. During the month of October during Kanthasasti Viratha days, the Thiruchchenthoor Punaram recital takes place here and Sooran Poor takes place on a very grand scale here.\n<\/p> \nA Swadichealai is maintained in this temple and hundreds and hundreds of books in Kirantha language and in Tamil language are found here.\n<\/p> \n* Thaipoosam is an auspicious day for Lord Murukan. On this very day, throughout Tamil Nadu festival for Palaniyandavar, car festival and Annathanam temples. This day is specially meant for Murukavali Padam.\n<\/p> \nOn October month, on the day of Maanam Poo, Murukaperuman comes to Thellipalai Thurkkai Amman temple in procession. The entrie administration of this temple is in the hands of the Hindu Saiva priests, on hereditary basis. There are 3 Veethy around the temple. \n<\/p> \nThere are inns surrounding the tempe, a flower garden. The devotees are administrating this temple affair properly.\n<\/p> \nThe compound where the temple is named as Kovvankaddu Valavu, the star belongs to his temples is Swathy, Thalavidchcham is Mango tree, Theerththam is Keerimalai sea one Mr.Ambalavanar Kanthar is the owner of the land. Shivashree, Sanmuganathar Kurukkal is in charge of the entire administration.\n<\/p> \nThere is a Sabai in the name of \u201cMaavai Kanthan Aalaya Thiruppani Sabai which was established on 7-6-75 to see to the entire administration. It is sure that gradually this temple will reach its ancient prosperity in the due course of time.\n<\/p> \nThe details of those who composed Sotpamalai on Mavai Kanthan<\/p> \n<\/p> <\/p> \n\nMAVAI KANTHAN VARALARU NOOLKAL \n <\/p> <\/p> \nAll Thiru Murai songs, Hindu historical texts and other Saiva details which were scattered all over, were all carefully collected and composed into a single book named \u201cMavai Murukan Kavi Poonkoththu\u201d in the year 1977 and was published by one Elavalai Maeylamkooda Saiva Pulavar S. Apputhurai. But so for none attempted to write Urai for his collection.\n<\/p> \nNB:- The following are some of the songs that were composed by Uduvil Muththu Cumara Kavirayar; describing the procession of Lord Murukan on the \u201cVeddai Festival\u201d in the name of \u201cNamanthirikai\u201d, \u201cPrakaelikai\u201d style.\n<\/p> \n\u201cNamanthirikai\u201d here describes in a song style the main subject and describing quite a different topic. It is rather a strange effort.\n<\/p> \n1)\t\u201cMallaka Mathakalan Murukan \t\t\nThe names and subjects are hidden and quite a different subject as names of seven places are given as follows:-\n<\/p> \nMallakam, Mathakal, Chunnakam, Eevinai, Thunnalai, Sillalai, and Kodikamam. Those things hidden in the above mentioned names are :- \u201cMal Agamam Maathu Ahalan Marukam\u201d means in the heart of Thirumal, whose Murukan (Sul + Nagam) = Sunakam Kel-Veli, Nagam \u2013 Malai Sunakaththan the son of Parameshwara Moorthy who is at Velliyankiri, \u201cPavanar Sollachcheer Eevinayan \u2013 the one who gives divinity to sincere devotee with no hesitation Thunnalaiyan Aththan \u2013 the cousin of Man Mathan who is sugarcane how, Surumbar Oothi Sillalai I Irula Venran and the one who loves Valli whose locks are of however where bees gather in good number Sihandy Oor Vallanai, who rides the horse named Thokai Mayil, I had the opportunity to enjoy the procession of such a God Murukan.\n<\/p> \n2)\t\u201cMudivilathurai Sunnakathan Vali \nHere name of 11 villages are given as follows:-\n<\/p> \nChunnakam, Thaavadi, Kokkuvil, Kodikamam, Anaikoddai, Kaddudai, Uduvil, Pannalai, Mallaakam, Palaly and Ilavaalai.\n<\/p> \nThe term \u201cChunnakam\u201d can be divided has follows:- Sul + Naakam Sul \u2013 means Velli \u2013 Silvar, and Nagam means \u2013 Malai (hill) as Sunnakam = Velli Malai Val \u2013 Pillai (Child) \u201cMudivila Thurai Chunnakaththan Vali Aathiyum Anthamum Illa Irivan \u2013 Sivan \u2013 His son Kanthaswamy \u201cMunthi Thaavu Adi Kokkuvil Vanthu Adaya = \u201cKokku\u201d here means horse. Murukan was riding on a jumbling horse, at that time the Thalavi fell in love and here clothes were let loose at that time the Moon appeared with starts who are described as Moon\u2019s wives another lady shed tears diving to her love towards God Murukan. Here the love feelings of two human females are described \u2013 which is known as Padan Thinai.\n<\/p> \n3)\t\u201cPannirandu Karakanthannai Eddup \nThere meaning here is hidden and other words with open meaning are as follows:- Karakam, Paanai Muddi, Kudam, Cheadi Kalasam and Sael are names of Vessals. Among this Pannirandu Karakam, Eddu Kudappaanai, Irandu Kudam, Kalasam, Paththu \u2013 Thus they are not in single version. The name Chetty is applied to Murugapperuman, he is mentioned to belong to Vanikar Marapu.\n<\/p> \nHere the hidden version is Pannirandu Karamthanai \u2013 meaning, Kanthakkadavul with 12 hands, and Ell, Thumbu, Aanai, I Thundam, Atharam, Kuyam, Anai, Mun Irandu Karam, Kaiyl, Eenthiyai \u2013 meaning 8 flowers, Pavalam, Elephant, can be compared to beautiful nose, Atharam, Mullai \u2013 here Umai with these pretty forms and the baby Murukan in her hands, such a child of Umai, taught violently several lines with Sooran who once stood in the term of a Mango tree and killed him and also He had Theivayanai and Valli as His wives, such a God, also called as Uruthra Sanmar Pulaveer you must pray Him and praise him. If done so one will get \u201cSakala Sampaththu\u201d Kalaiam Paththu means valour, Education, Pride etc. One who prays sincerely to God Murukan will be blessed with all wealth in this birth \u2013 To quote Muthanmai sael \u201cPeruvalvuran Meimaiyae\u201d\n<\/p>\n","protected":false},"excerpt":{"rendered":" Mavithapuram Kandasamy Temple In our country Eelam there are so many holy temples and Theerththa Thuraikal which are of ancient speciality to help the devotees to get rid of their former sins. For example in our country in the North Keerimalai and Nagulessar temples, in the East Kaneshar temple, in the South Manikka Gangai and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-101","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/saivaneethi.org\/en\/wp-json\/wp\/v2\/pages\/101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/saivaneethi.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/saivaneethi.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/saivaneethi.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/saivaneethi.org\/en\/wp-json\/wp\/v2\/comments?post=101"}],"version-history":[{"count":4,"href":"https:\/\/saivaneethi.org\/en\/wp-json\/wp\/v2\/pages\/101\/revisions"}],"predecessor-version":[{"id":348,"href":"https:\/\/saivaneethi.org\/en\/wp-json\/wp\/v2\/pages\/101\/revisions\/348"}],"wp:attachment":[{"href":"https:\/\/saivaneethi.org\/en\/wp-json\/wp\/v2\/media?parent=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\n
Names of the Composers\t<\/strong><\/th> \n Songs<\/strong><\/th> \n<\/tr><\/thead>\n\n \n 1. \tMuthu Kumara Kavirayar\t <\/td>\n Thirupathikam <\/td>\n<\/tr>\n \n 2. \tIrupalai Senathi Kavirayar\t <\/td>\n Mavai Subramaniyar Thothtiam <\/td>\n<\/tr>\n \n 3.\tChunnakam A. Cumaraswami \n\tPulavar\t <\/td>\n Mavai Pathikam, Mavai Iraddai Mani Malai, Mavai Kali Venba <\/td>\n<\/tr>\n \n 4.\tVaruththalai Vilan
\n\tS. Maylvahana Pulavar\t <\/td>\n Mavai Pathikam, Mavai Kantharakaval, Mavai, Kanthar Sinkaram <\/td>\n<\/tr>\n \n \n5.\tK. Saravanamuththu Pulavar\t <\/td>\n Mavai, Pathikam, Mavai Kathirkama Valavar Pathikam, Mavai Unchat Pakkal <\/td>\n<\/tr>\n \n 6.\tM. Saravanamuththu Pulavar\t <\/td>\n Mavai Unchat Pakkal <\/td>\n<\/tr>\n \n 7.\tV. Appakuddy\t <\/td>\n Maviddapuram Kanthaswamy Koil Pathikam <\/td>\n<\/tr>\n \n 8.\tPoonakari Murukesar Kanakasabai\t <\/td>\n Pottithruakaval Mavai Pathikam <\/td>\n<\/tr>\n \n \n9.\tKaravanvai Sevvanthinatha <\/td>\n Thesiker\tMavai Mummani Malai <\/td>\n<\/tr>\n \n \n10.\tSabapahty Navalar\t <\/td>\n Mavai Anthanthy <\/td>\n<\/tr>\n \n 11.\tT.H.P. Ponnampalam Pillai\t <\/td>\n Mavai Yamakakavanthathy, Mavai Thiruviraddai Mani Malai Aareluthupathithu <\/td>\n<\/tr>\n \n \n12.\tMavai Cumaraswami Kurukkal\t\t <\/td>\n Mavai Puranam, Mavai Pathikam <\/td>\n<\/tr>\n \n 13.\tP. Sabapathy Pillai\t\t <\/td>\n Mavidda Puram Thoththira Pamalai <\/td>\n<\/tr>\n\n \n 14.\tK. Sachchithanantham\t <\/td>\n Mavai Murukan <\/td>\n<\/tr>\n \n 15.\tNavaliyur S.Somasundara Pulavar\t\t <\/td>\n Mavai Nakara Muruka Pathikam <\/td>\n<\/tr>\n\n \n 16.\tAasukavi Vasavilan
\n\tKalladi Veluppilai\t <\/td>\n Mavai Thoththira Viruththam, Mavai Kantharalankaram <\/td>\n<\/tr>\n \n 17.\tMayliddy C. Vellupillai Teacher\t <\/td>\n Mavai Keerththanaikal, Mavai Pathikam <\/td>\n<\/tr>\n \n 18.\tMaha Vidvan Shivasri C.Kanesha \tIyar\t<\/td>\n Mavai Subramania Thoththira Viruththam <\/td>\n<\/tr>\n \n 19.\tN. Sivaprakasan\t <\/td>\n Mavai Murukan Keerththanaikal <\/td>\n<\/tr>\n \n 20.\tArul Kavi Sivasri S. Vinasiththamby\t <\/td>\n Maviddam Puram Thandapani Kanthan Thiruppathikam, Thoththira Pamalai <\/td>\n<\/tr>\n \n 21.\tElalai Pandithar M. Muththaiah\t <\/td>\n Mavai Pillai Thamil <\/td>\n<\/tr>\n \n 22.\tVisuvanatha Sasthiriyar\t <\/td>\n Mavai Kuravanchi <\/td>\n<\/tr>\n \n 23.\tR.C. Kanthaiah Aachchari\t\t <\/td>\n Mavai Kanthar Thothira Malai <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\nBooks That Narrates the History of Mavai Kanthan <\/strong>\n <\/p>
\n \n
Author\u2019s Name <\/strong><\/th> \n Books Name <\/strong><\/th> \n <\/tr><\/thead>\n \n \n History books in prose form\t<\/td>\n\t <\/td>\n\t<\/tr>\n\t \n\t 1.\tSivasri S.T. Shanmuganatha Kurukkal
\n\t2.\tRa-Sunthara Rajasarma <\/td>\n\tMaviddapura Thiruththala Varalaru\nKoyit Kadavai <\/td>\n<\/tr>\n \n Books of Drama <\/strong><\/td> \n <\/td>\n<\/tr>\t\n \n T. Shanmuga Suntharam\t <\/td>\n \u201cVaalvu Petta Valli\u201d <\/td>\n<\/tr>\n \n Other Books\t<\/strong> <\/td>\n <\/td>\n<\/tr>\n \n 1.\tMuthuraja Kavirayar\t<\/td>\n Kailaya Malai <\/td>\n<\/tr>\t\n \n \n2.\t–\t <\/td>\n Vaiya Padal Eelamandala Sathakam <\/td>\n<\/tr>\t\n \n 3.\tThirumalai Masilamani Muthukumara Pulavar\t <\/td>\n Thirukkonesala Puranam <\/td>\n<\/tr>\n\t \n 4.\tN. Kathiravetpillai\t <\/td>\n Subramania Parakkramam <\/td>\n<\/tr>\n \n 5.\tMathakal Earampaiyar <\/td>\n \tNakusala Puranam <\/td>\n<\/tr>\n\t \n 6.\tK. Appuswamy Iyar\t<\/td>\n Nakusala Puranam <\/td>\n<\/tr>\n \n 7.\tMaylvahana Pulavar\t<\/td>\n Yalppana Vaipavamalai <\/td>\n<\/tr>\n\t \n 8.\tVaddukkoddai Visuvanatha Sasthiriyar\t <\/td>\n Nagulamalai Kuravanchi <\/td>\n<\/tr>\n \n 9.\tKalladi Veluppilai\t <\/td>\n Yalppana Vaipava Kawmuthy <\/td>\n<\/tr>\n\t \n 10.\tS. Rasanayaga Mudaliyar\t<\/td>\n Yalppana Chariththiram <\/td>\n<\/tr>\n \n 11.\tA. Muthuthambi Pillai\t <\/td>\n Yalppana Chariththiram <\/td>\n<\/tr>\n \n 12.\tRev. Gnanapirakasar\t <\/td>\n Yalppana vaipava Vimarsanam <\/td>\n<\/tr>\n \n 13.\tS.W.Cumaraswamy\t <\/td>\n Idam Peyar Aarachchi <\/td>\n<\/tr>\n \n \n14.\tK. Mathiyaparanam\t\n <\/td>\n Yalppana Poorvika Vaipavam <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\nSunnakathtan Mathan Pavanar
\n\tSollar Sear Evinayan Thunnalai
\n\t\tYananththan Surumba Sothy
\n\tSillalai Irul Venra Kurakkodi
\n\t\tKamaththanai Sikandy Mavoor
\n\tVallanai Maviddapura Nagarthidai
\n\t\tPavani Vara Kandaenae\u201d
\n<\/p>
\nMunthi Thavadikkokkuvin Meethu
\n\tVanthu Adaiay Oor Pen Kodikamathal
\n\t\tAsaithanai Koddai Veli Kaddudai Viddal
\n\tUduvilam Vara Pannalayan Miha
\n\t\tUruththan Kadamputta Mallakaththil
\n\tThadai Vidathu Anai Eenru Palaly Kan
\n\t\tSara Vanthanal Orr Ilavaalaiyae\u201d
\n<\/p>
\nPaanaiyai Thundatharak Kuyavanai
\n\tMunnirandu Kudankaiyl Eaenthiyai
\n\t\tMuddi Muddi Mal Mevai Chaadiyai
\n\tPonnirandu Peruchchettiyai
\n\t\tPootuveer Pulaveer Sakaranthanai
\n\tMuthenmaisaal Peru Vealvu Uran Meimaiya\u201d
\n<\/p>